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Duke Ellington

Um dos maiores músicos e compositores do Jazz.

Site: http://www.dukeellington.com/
Membros: 53
Última atividade: 12 Out

Duke Ellington - It don't mean a thing



Duke Ellington is one of the most influential figures in jazz, if not in all American music and is widely considered as one of the twentieth century's best known African American celebrities. As both a composer and a band leader, Ellington's reputation has increased since his death, with thematic repackagings of his signature music often becoming best-sellers. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.

Consider

• President Lyndon Johnson presented Duke Ellingtonwith the President’s Gold Medal in 1966.

• President Richard M Nixon presented Duke Ellington with the Medal of Freedom in 1969.

• Duke Ellington received 13 Grammy Awards.

• Duke Ellington received the Pulitzer Prize

• Was awarded the French Legion of Honor in 1973.

• Has a United States Commemorative stamp with his image on it issued in 1986.

Duke Ellington influenced millions of people both around the world and at home. He gave American music its own sound for the first time. In his fifty year career, he played over 20,000 performances in Europe, Latin America, the Middle East as well as Asia.

Simply put, Ellington transcends boundaries and fills the world with a treasure trove of music that renews itself through every generation of fans and music-lovers. His legacy continues to live onand will endure for generations to come. Winton Marsalis said it best when he said "His music sounds like America." Because of the unmatched artistic heights to which he soared, no one deserved the phrase “beyond category” more than Ellington, for it aptly describes his life as well. He was most certainly one of a kind that maintained a llifestyle with universal appeal which transcended countless boundaries.

Duke Ellington is best remembered for the over 3000 songs that he composed during his lifetime. His best known titles include; "It Don't Mean a Thing if It Ain't Got That Swing", "Sophisticated Lady", "Mood Indigo", “Solitude", "In a Mellotone", and "Satin Doll". The most amazing part about Ellington was the most creative while he was on the road. It was during this time when he wrote his most famous piece, "Mood Indigo"which brought him world wide fame.

When asked what inspired him to write, Ellington replied, "My men and my race are the inspiration of my work. I try to catch the character and mood and feeling of my people".

Duke Ellington's popular compositions set the bar for generations of brilliant jazz, pop, theatre and soundtrack composers to come. While these compositions guarantee his greatness, whatmakes Duke an iconoclastic genius, and an unparalleled visionary, what has granted him immortality are his extended suites. From 1943's Black, Brown and Beige to 1972's The Uwis Suite, Duke used the suite format to give his jazz songs a far more empowering meaning, resonance and purpose: to exalt, mythologize and re-contextualize the African-American experience on a grand scale.

Duke Ellington was partial to giving brief verbal accounts of the moods his songs captured. Reading those accounts is like looking deep into the background of an old photo of New York and noticing the lost and almost unaccountable details that gave the city its character during Ellington'sheyday, which began in 1927 when his band made the Cotton Club its home. ''The memory of things gone,'' Ellington once said, ''is important to a jazz musician,'' and the stories he sometimes told about his songs are the record of those things gone. But what is gone returns, its pulse kicking, when Ellington's music plays, and never mind what past it is, for the music itself still carries us forward today.

Duke Ellington was awarded the Grammy Lifetime Achievement Award in 1966. He was later awarded several other prizes, the Presidential Medal of Freedom in 1969, and the Legion of Honor by France in 1973, the highest civilian honors in each country. He died of lung cancer and pneumonia on May 24, 1974, a month after his 75th birthday, and is buried in the Bronx, in New York City. At his funeral attendedby over 12,000 people at the Cathedral of St. John the Divine, Ella Fitzgerald summed up the occasion, "It's a very sad day...A genius has passed."

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3 Comentários

Sonia Maria Dal Poggetto Guimarães Comentário de Sonia Maria Dal Poggetto Guimarães em 29 agosto 2009 às 14:24
Voz linda, macia, da Carol Saboya.. e que cadência... eu nao conhecia, amei!!
Quanto a Duke Ellington nao da pra tecer mtos comentarios ne: só ouvir..uuuau !!
Manny Cepeda Ritmo Caribe Comentário de Manny Cepeda Ritmo Caribe em 19 março 2009 às 12:50
Hola Wilbert!
Hacia tiempo que no te escribia. Estava en jira por Miami tocando conciertos. Me encanta lo de Duke Ellington, uno de mis idolos!
Heloísa Bellini Comentário de Heloísa Bellini em 19 março 2009 às 12:38
Oh!!! Beautiful. Thank you.
I love Duke Ellington he is part of my life.
Kiss
Heloísa Bellini
 

Membros (53)

Wilbert Sostre Esther Alcântara Lenna Pablo Claudia Martinez Alex Guedes Alquimides Daera EMRE Núa Jorge Souza Manny Cepeda Ritmo Caribe wilson grado salgueirinho filho Jonas Din Geraldo Majela de Mesquita Dagmar Camargo Luís Valério Julia Kike Goya Heitor de Pedra Azul TUNIKO GOULART Ângela Moreira Flach Luiz Santos Jobinho Minas Fabiana Passoni Sandra MILTON E. RUSS II / NANTAMBU soninha David Guitar FRANCA France da Matta Ângela Dória
 
 

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Artista da semana

Artista da semana (novembro 8 - 14) - Miguel Zenón

Artista da Semana - Miguel Zenón




http://www.miguelzenon.com/index.htm



Miguel Zenón Bio

“This young musician and composer is at once reestablishing the artistic, cultural, and social tradition of jazz while creating an entirely new jazz language for the 21st century.”

--MacArthur Foundation,2008.

Guggenheim and MacArthur Fellow Miguel Zenón was born and raised in San Juan, Puerto Rico. There, he studied classical saxophone at the famed Escuela Libre de Musica. Although Zenón was exposed to jazz while in high school, it wasn’t until he began his studies at the Berklee School of Music that his formal jazz training began. After graduating from Berklee, Zenón received a scholarship to attend Manhattan School of Music and in 2001, he received a Masters in Saxophone Performance. The distinguished list of educators he has studied with include: Angel Marrero, Leslie Lopez, Rafael Martinez, Danilo Perez, Dick Oatts, Dave Liebman, George Garzone and Bill Pierce.

In his relatively short, but rather illustrious career, Zenón has performed and/or recorded with a quite a diverse array of artists including: David Sanchez, Charlie Haden, The Village Vanguard Orchestra, Bobby Hutcherson, Bob Moses and Mozamba, The Either Orchestra, Guillermo Klein y Los Guachos, The Mingus Big Band, Jerry Gonzalez & The Fort Apache Band, Ray Barretto, and Steve Coleman, among others.

In 2004 Zenón was asked to become one of the founding members of the SF Jazz Collective; an octet whose past and present members include Joshua Redman, Bobby Hutcherson, Nicholas Payton, Joe Lovano, Dave Douglas and Brian Blade. The members, who participate in a residency period where they workshop and rehearse new music, divide their time (roughly two months) between composing, performing and teaching. The SF Jazz Collective has toured in the US, Canada, Asia, and Europe and to date, have released five critically acclaimed live recordings, garnering them a spot in the Downbeat Critic’s Poll Rising Star Small Group category in both 2006 and 2007 – an honor which, coincidentally, they shared with Zenón’s own quartet.

The Saxophonist and Composer has released four recordings as a Leader. His debut CD Looking Forward, was selected by the New York Times as the number one independent jazz record of 2002. In 2004, after being one of the first artists signed to Marsalis Music, he released the critically acclaimed Ceremonial. This same year also marked the beginning of three consecutive years on the top of the Downbeat Critic’s Poll in the Rising Star Alto Sax category. Zenón topped that category as well in 2008,making that the fourth time in the last five years. In 2005 Zenón was honored by Billboard magazine as one of the “Faces to Watch-- 30 Under 30: Top Young Acts and Executives.” That year Zenón also released Jibaro, a tribute to the "Musica Jibara" of Puerto Rico and commissioned by a grant from the New York State Council of the Arts. Like his previous recordings, Jibaro was uniformly well received and appeared on many top ten lists including The New York Times, Latin Beat, El Nuevo Dia, and the Chicago Tribune. In 2006, the readers of Jazz Times Magazine voted him the Best New Artist of the Year. Awake, his fourth recording as a leader was released in April 2008. It was chosen as one of the Best Jazz Cd's of 2008 by Jazz.com, Jazz Improv Magazine, Cuadernos de Jazz, JazzTimes and El Nuevo Dia, among others. (Read Reviews)

In addition to touring extensively throughout the US and Europe and Latin America with his quartet, Zenón has made teaching a priority in his professional career. In 2003, as part of the Kennedy Center’s Jazz Ambassador’s Program, Zenón’s quartet was selected to teach and perform throughout West Africa. Since then he as done master classes, clinics and/or residencies in such diverse institutions as the Banff Centre, University of Manitoba, LeMoyne College, UMASS-Amherst, the Brubeck Institute, Berklee College of Music, Conservatoire de Paris, Rotterdam Conservatory, Manhattan School of Music, Amsterdam Conservatory and the Diaz Institute. Zenón also serves as a private saxophone instructor at The New School for Jazz and Contemporary Music in New York. Starting in the Fall of 2009, Zenón will be joining the Jazz Faculty at the New England Corservatory in Boston,MA.

In April 2008 Zenón received a fellowship from the prestigious John Simon Guggenheim Foundation to work on his next project, which focused on Plena Music from Puerto Rico. Later that year he was one of 25 distinguished individuals chosen to receive the coveted MacArthur Grant, also know as the “Genius Grant”.

Artista da Semana: Dani Gurgel (novembro 1 - 7)

Artista da Semana - Dani Gurgel



Biografia

DANI GURGEL trilhou uma escalada de instrumento a instrumento até encontrar o seu: a voz. Como instrumentista foram 15 anos. Dani foi saxofonista da big band regida por Roberto Sion e da banda que acompanhava o Zimbo Trio. Foi quando nasceram suas primeiras músicas que começou a cantá-las, despretensiosamente, no grupo de compositores “Quincas”.

Ao montar o repertório de seu primeiro show solo, após bastante dedicação ao novo instrumento, Dani Gurgel decidiu-se pelas canções de seus contemporâneos, ao invés das já consagradas. Assim surgiu a série de shows “Dani Gurgel e Novos Compositores”, que direcionou o repertório de seus três discos e foi tema do concerto que fez junto com a Orquestra Tom Jobim, como convidada e curadora.

A cantora e compositora foi vencedora na categoria música popular do Prêmio Nascente, mantido pela USP, onde se formou em Comunicação Social. Da faculdade, ela traz o interesse pelas mudanças na música com o digital, já abordado no seu trabalho de conclusão de curso em 2007, e também a busca incansável por novos meios de levar seu som até o público.

AGORA – Dani Gurgel e Novos Compositores, terceiro disco da cantora e compositora paulistana Dani Gurgel, é inspirado na série de shows homônima apresentada em 2007, na qual Dani convidava seus contemporâneos a participarem dos shows e apresentarem suas músicas. O novo trabalho reúne canções inéditas e conta com a participação de 23 jovens músicos da nova cena musical brasileira. Um trabalho eclético, amarrado pela interpretação de Dani, combinada com cada convidado. Brincando, vai do jazz ao pop. Há sambas, como “Linha na Pipa”, de Vinicius Calderoni, grooves, por exemplo, “Clinch”, de Danilo Moraes e Ricardo Teté, e outros quase eruditos, como a canção “Depois”, parceria de Dani com Tatiana Parra.
credits
released 16 September 2009
Produzido por Thiago Rabello
Co-produzido e idealizado por Dani Gurgel

Dani Gurgel [voz]
Thiago Rabello [bateria]
Debora Gurgel [piano]
Daniel Amorin [baixo acústico e elétrico]
Michi Ruzitschka [violão e guitarra]
André Kurchal [percussão]

Participação especial:
Conrado Goys [violão] em "Lé com Cré"
Jaziel Gomes [trombone] em "Clinch"
Ubaldo Versolato [clarinete e clarone] em "Lé com Cré" e "Depois"

E os compositores, que participam em suas respectivas canções:
Rafa Barreto, Vinicius Calderoni, Danilo Moraes, Ricardo Teté, Dani Black, Leo Versolato, Tatiana Parra, Tó Brandileone, Leo Bianchini, Demetrius Lulo, Wagner Barbosa, Ricardo Barros.


http://www.danigurgel.com.br/musica/index.html


Dani Gurgel - Neneca from Dani Gurgel on Vimeo.

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