Maravilhoso trabalho que deu luz a canções adormecidas que ganharam nova roupagem com arranjos e interpretações simplesmente maravilhosos...
Obrigada Wilbert por tornar meus dias mais alegres e maravilhosos...
Beijos
heloísa
Musicians: Naty Lomas (Vocals), Daniel Rivadeneyra, Kin Santiago (guitars), Ramón Sanchez (Flute), Agustín Reina (Bass), David Chávez (Cajón), Angélica Marbella, Beatriz Torres (Palmas & Dance), Javier Guillén ( Violin)
Review: La Forja is a group of musicians with an interesting fusion of Flamenco with Jazz, Rock and other music influences. Con Aroma de Romero is an album filled with passion and amazing musicians.
The album starts with Lanzate al Vuelo. The voice and feeling of Naty Lomas and the melodic solos of Ramón Sanchez are the hightlights on this track. Supported by the flamenco rhythms of David, Daniel and "las bailaoras" (dancers) Angélica y Beatriz.
San Marcos is an instrumental piece with a wonderful display on flute and sax by Ramón Sanchez. And David Chavez once again provides the rhythmic energy playing the "cajón". Un poco más is a classic from composer Alvaro Carrillo, played beautifully here in a flamenco arrangement
La Forja version of Joaquin Rodrigo's Aranjuez is one of the best I've heard. Some more classy flute melodies by Ramón Sanchez and a subtle, perfect work on Guitars, Cajón and Bass.
Bulerias del Quijote is maybe my favorite, full of energy from the start with "las palmas" (clapping), and dance of Angélica and Beatriz. Naty's interpretation is flawless on this track based on Don Quijote.
Like the tittle suggest , Farruca por Blues is a fusion of Flamenco and Blues, this time with an additional element, the violin, that gives the music a different flavor. But the high point is Angelica dance solo. Intensity, energy, passion, are just a few words that comes to mind when one listen to a master of Flamenco dancing as good as Angelica.
A Flamenco album or show is not complete without some Sevillanas. These are the lyrics that give title to the CD. Wrote by Angélica Marbella, these lyrics proves she is as good as a songwriter.
Tracks: Lánzate al vuelo, San Marcos, Un poco más, Aranjuez, Bulería del Quijote, Farruca por Blues, Sevillanas del Romero, Casino del Mar
CD Review: Joe Beck & Laura Theodore - Golden Earrings
Featured Artist: Joe Beck & Laura Theodore
CD Cover - Buy CD CD Title: Golden Earrings
Year: 2009
Record Label: Whaling City Sound
Style: Jazz Vocals
Musicians: Joe Beck (alto guitar, acoustic guitar), Laura Theodore (vocals)
Review: Joe Beck and Laura Theodore new CD "Golden Earrings" should be a Jazz classic for a lot of reasons. First, it is the last album recorded by Joe Beck before he passed away on July 22, 2008. Beck was a musician’s musician and his resume includes recordings with Miles Davis, Buddy Rich, Gil Evans, Frank Sinatra, James Brown and David Sanborn.
There’s also the chance to hear once again Beck’s invention, the Alto Guitar, a hybrid guitar with two bass strings and four guitar strings. Another reason is Laura Theodore; for those who are not familiar with Laura’s work, she is one of the best singers on the Jazz scene today.
But the main reason is the wonderful music on this album. Golden Earrings is a tribute to the music of another Jazz legend, Peggy Lee.
There’s an undeniable chemistry between Joe Beck and Laura Theodore that shows all trough this CD. Beck use of chords and harmonies played on his alto guitar creates music so full and rich, ideal for Laura’s always soulful vocals.
The beautiful intro on Johnny Guitar is a perfect way to start Golden Earrings. Beck’s guitar and Laura’s enchanting interpretation reminds me of a Quentin Tarantino movie soundtrack.
Beck an Laura swing on tracks like Why don’t you do right, You was right baby and I can’t believe you’re in love with me. On Take a little time to smile, Laura moves easily between deep and bright tones, playing beautifully with Beck chords and harmonies.
Laura’s vocals on Fever and My small señor, are playful, suggestive and entertaining. Love the use of guitar harmonics by Beck on these songs. Laura has a quality on her voice and phrasing that reminds me of legendary Jazz singers like Ella and Holiday. Yet, she has an unmistakable style and voice. Listen to Solitude, Golden Earrings, When your speak with your eyes and the nice scats on Don’t smoke in Bed.
I specially enjoy the Bossa feeling on I get along without you very well and the bluesy version of I don’t know enough about you, a perfect match for Laura classy and soulful voice.
Golden Earrings contains some of the best Jazz music I’ve heard in recent years. This album is a must have in your Jazz collection.
Tracks: Johnny Guitar, Why don't you do right?, Take a little time to smile, Fever, My Small Señor, Don't smoke in bed, I get along without you very well, You was right baby, I can't believe that you're in love with me, Solitude, Everything is moving too fast, When you speak with your eyes, Golden Earrings, I don't know enough about you, What more can a woman do?, Mañana
Review: Carlos Jimenez is the next generation of great Puerto Rican flute players, following in the steps of Dave Valentin and Nestor Torres.
Thoughts is Carlos third album. The second one, El Flautista (The Flutist), had more of a Latin Jazz flavor. In contrast most of the music on Thoughts has a modern, smooth Jazz feeling to it.
The musicians on this album are different too. With Ruben Rodriguez, an experienced Salsa and Latin Jazz Bassist, Vince Cherico, who played with the likes of Tito Puente, Ray Barreto and Patato Valdes, on Drums and Colombian pianist Fidel Cuellar. A quartet format more suitable for the music on this CD.
This is a CD full of optimism; just take a look at the titles, Don't Worry, Storm of Love and Life is Great. But you can also hear that optimism in the upbeat, funky sounds of the music. The repetitive melody lines in some tracks like Bluedo, makes them more accessible for non Jazz listeners.
The title track Thoughts feels like a Tango and has some of the most sensitive and brilliant playing on the album. The Latin feeling comes out on pieces like No te apures (Don't Worry) and For You and Me, where Carlos seems more confident showing his improvisational skills with more flowing effortless solos.
Even though you can hear some influence of Dave Valentin in Carlos music, he is quickly developing his own voice. Carlos has a nice, clear tone and excellent phrasing. Listen to the solos on Carlitos my son, Don't Worry and Swift. Fidel Cuellar also contributes some delightful solos on I see you smile and For you and me.
One of my favorites is Storm of Love, on this track every one has the opportunity to showcase their talents, with Ruben taking the first solo on Bass, followed by beautiful Carlos and Fidel solos, and complemented with an excellent work on drums by Vince Cherico.
We will be waiting for next step in the evolution of this excellent Jazz musician.
Tracks: Carlitos My Son, Bluedo, No Te Apures ( Don't Worry), I See Your Smile, Swift, Storm Of Love, For You & Me, Thoughts, Look At The Sky, Life Is Great, Yours For Sure
What I'm into: Music, Art, Movies, Literature, Poetry, History, Politics and Economics, Sports
jazznbossa@jazzworld.com
Música Favorita (Favorite music):
Jazz - Diana Krall, John Coltrane, Charlie Parker, Sonny Rollins, Thelonius Monk, David Sanchez, Chucho Valdez, Fourplay, David Benoit, Pat Metheny, Al DiMeola, Ella Fitzgerald, Billie Holiday, Jane Monheit, Chick Corea, Larry Carlton , Eddie Palmieri. .. Bossa Nova (Brazilian Music) - Gal Costa, Antonio Carlos Jobim, Joao Gilberto, Bebel Gilberto, Astrud Gilberto, Ana Caram, Lisa Ono, Josse Koning, Rosa Passos, Marisa Monte, Joao Donato, Leila Pinheiro.
Filmes (Movies):
The Godfather, Elsa y Fred, Fargo, Cinema Paradiso, Il Postino, The Exorcist, Todo sobre mi Madre, Tesis, The Usual Suspects, Mar Adentro, The Silence of the Lambs, Central Station, Misery, Pulp Fiction, Reservoir Dogs, La Vita e Bella, Blade Runner , The Others, Logan's Run.
Libros (Books):
Cien Años de Soledad (Gabriel Garcia Marquez) La Invención de Morel ( Adolfo Bioy Casares) El Tunel (Ernesto Sabato) All Poetry by Pablo Neruda, Benedetti, Lorca, etc.
Fantasy Records salutes the famed pianist, who, despite gold records and global acclaim as a renowned jazz artist, will always be best known for his cheerful, uplifting work with Charlie Brown and the Peanuts gang. Although he passed away at the young age of 47 in 1976, Vince Guaraldi will always live on in… Continuar
Postado em 11 novembro 2009 às 14:00 ‚Äî 1 Comentário
BRIGADOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
PERAÍ QUE TEM MAIS UM POUQUINHO DE O: OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!
PAZ E FELICIDADE PRA TODOS NÓS!!!
Às 14:26 em 28 setembro 2009, Jazz Colares disse...
Olá, Wilbert!
Onde posso postar minhas musicas autorais?
bj
Obrigado Wilbert
.
Sou bastante desligado nessas coisas de internet,,mas ,apaixonado por musica.Prometo dedicar um pouco mais de atencao com este site que trata de musica de boa qualidade(minha paixao). Uma curiosidade: Voce mora no Brasil?????
Abracos e parabens.
Reinaldo
DIA 24 DE SETEMBRO de 2009 VOU ESTAR GRAVANDO UMA MOSTRA DO SHOW QUE ESTOU MONTANDO : TRIBUTO AOS ORIXÁS E A GRANDE CLARA NUNES , MINEIRA GUERREIRA ,FILHA DE OGUM COM IANSÃ ...VAI SER NO CEU PAZ QUE FICA NO DAMASCENO NA FREGUESIA do Ó à partir das 16:30 e estarei lá até uma 21 horas ...
BJS. CRIS ARAÚJO .
QUE A LUZ DE TODA A PAZ , ESTEJA SEMPRE , CONTIGO E COM TODOS OS SEUS ,
POR TODAS AS SUAS EXISTÊNCIAS ...
Às 8:12 em 18 setembro 2009, ingrid sidna disse...
Olá Wilbert!
Grata pelas boas vindas e parabéns pelo site!
Beijinho pra ti.
“This young musician and composer is at once reestablishing the artistic, cultural, and social tradition of jazz while creating an entirely new jazz language for the 21st century.”
--MacArthur Foundation,2008.
Guggenheim and MacArthur Fellow Miguel Zenón was born and raised in San Juan, Puerto Rico. There, he studied classical saxophone at the famed Escuela Libre de Musica. Although Zenón was exposed to jazz while in high school, it wasn’t until he began his studies at the Berklee School of Music that his formal jazz training began. After graduating from Berklee, Zenón received a scholarship to attend Manhattan School of Music and in 2001, he received a Masters in Saxophone Performance. The distinguished list of educators he has studied with include: Angel Marrero, Leslie Lopez, Rafael Martinez, Danilo Perez, Dick Oatts, Dave Liebman, George Garzone and Bill Pierce.
In his relatively short, but rather illustrious career, Zenón has performed and/or recorded with a quite a diverse array of artists including: David Sanchez, Charlie Haden, The Village Vanguard Orchestra, Bobby Hutcherson, Bob Moses and Mozamba, The Either Orchestra, Guillermo Klein y Los Guachos, The Mingus Big Band, Jerry Gonzalez & The Fort Apache Band, Ray Barretto, and Steve Coleman, among others.
In 2004 Zenón was asked to become one of the founding members of the SF Jazz Collective; an octet whose past and present members include Joshua Redman, Bobby Hutcherson, Nicholas Payton, Joe Lovano, Dave Douglas and Brian Blade. The members, who participate in a residency period where they workshop and rehearse new music, divide their time (roughly two months) between composing, performing and teaching. The SF Jazz Collective has toured in the US, Canada, Asia, and Europe and to date, have released five critically acclaimed live recordings, garnering them a spot in the Downbeat Critic’s Poll Rising Star Small Group category in both 2006 and 2007 – an honor which, coincidentally, they shared with Zenón’s own quartet.
The Saxophonist and Composer has released four recordings as a Leader. His debut CD Looking Forward, was selected by the New York Times as the number one independent jazz record of 2002. In 2004, after being one of the first artists signed to Marsalis Music, he released the critically acclaimed Ceremonial. This same year also marked the beginning of three consecutive years on the top of the Downbeat Critic’s Poll in the Rising Star Alto Sax category. Zenón topped that category as well in 2008,making that the fourth time in the last five years. In 2005 Zenón was honored by Billboard magazine as one of the “Faces to Watch-- 30 Under 30: Top Young Acts and Executives.” That year Zenón also released Jibaro, a tribute to the "Musica Jibara" of Puerto Rico and commissioned by a grant from the New York State Council of the Arts. Like his previous recordings, Jibaro was uniformly well received and appeared on many top ten lists including The New York Times, Latin Beat, El Nuevo Dia, and the Chicago Tribune. In 2006, the readers of Jazz Times Magazine voted him the Best New Artist of the Year. Awake, his fourth recording as a leader was released in April 2008. It was chosen as one of the Best Jazz Cd's of 2008 by Jazz.com, Jazz Improv Magazine, Cuadernos de Jazz, JazzTimes and El Nuevo Dia, among others. (Read Reviews)
In addition to touring extensively throughout the US and Europe and Latin America with his quartet, Zenón has made teaching a priority in his professional career. In 2003, as part of the Kennedy Center’s Jazz Ambassador’s Program, Zenón’s quartet was selected to teach and perform throughout West Africa. Since then he as done master classes, clinics and/or residencies in such diverse institutions as the Banff Centre, University of Manitoba, LeMoyne College, UMASS-Amherst, the Brubeck Institute, Berklee College of Music, Conservatoire de Paris, Rotterdam Conservatory, Manhattan School of Music, Amsterdam Conservatory and the Diaz Institute. Zenón also serves as a private saxophone instructor at The New School for Jazz and Contemporary Music in New York. Starting in the Fall of 2009, Zenón will be joining the Jazz Faculty at the New England Corservatory in Boston,MA.
In April 2008 Zenón received a fellowship from the prestigious John Simon Guggenheim Foundation to work on his next project, which focused on Plena Music from Puerto Rico. Later that year he was one of 25 distinguished individuals chosen to receive the coveted MacArthur Grant, also know as the “Genius Grant”.
DANI GURGEL trilhou uma escalada de instrumento a instrumento até encontrar o seu: a voz. Como instrumentista foram 15 anos. Dani foi saxofonista da big band regida por Roberto Sion e da banda que acompanhava o Zimbo Trio. Foi quando nasceram suas primeiras músicas que começou a cantá-las, despretensiosamente, no grupo de compositores “Quincas”.
Ao montar o repertório de seu primeiro show solo, após bastante dedicação ao novo instrumento, Dani Gurgel decidiu-se pelas canções de seus contemporâneos, ao invés das já consagradas. Assim surgiu a série de shows “Dani Gurgel e Novos Compositores”, que direcionou o repertório de seus três discos e foi tema do concerto que fez junto com a Orquestra Tom Jobim, como convidada e curadora.
A cantora e compositora foi vencedora na categoria música popular do Prêmio Nascente, mantido pela USP, onde se formou em Comunicação Social. Da faculdade, ela traz o interesse pelas mudanças na música com o digital, já abordado no seu trabalho de conclusão de curso em 2007, e também a busca incansável por novos meios de levar seu som até o público.
AGORA – Dani Gurgel e Novos Compositores, terceiro disco da cantora e compositora paulistana Dani Gurgel, é inspirado na série de shows homônima apresentada em 2007, na qual Dani convidava seus contemporâneos a participarem dos shows e apresentarem suas músicas. O novo trabalho reúne canções inéditas e conta com a participação de 23 jovens músicos da nova cena musical brasileira. Um trabalho eclético, amarrado pela interpretação de Dani, combinada com cada convidado. Brincando, vai do jazz ao pop. Há sambas, como “Linha na Pipa”, de Vinicius Calderoni, grooves, por exemplo, “Clinch”, de Danilo Moraes e Ricardo Teté, e outros quase eruditos, como a canção “Depois”, parceria de Dani com Tatiana Parra. credits released 16 September 2009 Produzido por Thiago Rabello Co-produzido e idealizado por Dani Gurgel
Dani Gurgel [voz] Thiago Rabello [bateria] Debora Gurgel [piano] Daniel Amorin [baixo acústico e elétrico] Michi Ruzitschka [violão e guitarra] André Kurchal [percussão]
Participação especial: Conrado Goys [violão] em "Lé com Cré" Jaziel Gomes [trombone] em "Clinch" Ubaldo Versolato [clarinete e clarone] em "Lé com Cré" e "Depois"
E os compositores, que participam em suas respectivas canções: Rafa Barreto, Vinicius Calderoni, Danilo Moraes, Ricardo Teté, Dani Black, Leo Versolato, Tatiana Parra, Tó Brandileone, Leo Bianchini, Demetrius Lulo, Wagner Barbosa, Ricardo Barros.