Jazz vocalist Pauline Jean is a native New Yorker of Haitian descent. In 2007 Pauline graduated cum laude from the Berklee College of Music with a BM degree in Vocal Performance. After graduating from Berklee, Pauline returned to New York and immediately became actively involved in the music community. Pauline ha… Continuar
Adicionado por Wilbert Sostre em 21 novembro 2009 às 0:00 —
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Featured Artist: Pauline Jean
CD Cover - Buy CD CD Title: A Musical Offering
Year: 2009
Record Label: Sekonsa Jazz Records
Style: Jazz Vocals
Musicians: Pauline Jean (vocals), Sharp Radway (piano), Corcoran Holt (bass), Alvin Atkinson, Jr. ( Drums), McClenty Hunter (drums, tracks 2, 10, 11), Markus Schwartz (percussio… Continuar
Para entender o 20 de novembro primeiro precisamos conhecer um personagem que marcou a história por sua resistência: Zumbi. Ele morreu nesta data, lutando pela liberdade, em 1695.
O Dia da Consciência Negra nasceu dessa marca de resistência e do protesto de Zumbi. Hoje, diante da situação de exclusão social e econômica da população negra no Brasil, mesmo passados mais de 100 anos do fim da escravidão, a data não poderia ser mais representativa. O 20 de novembro foi escolhido em 1971, pelo poeta… Continuar
"JAZZ CONTRA O RACISMO "
HOJE 21 H30M CENTRO CULTURAL DE CASCAIS
CONCERTO DE JAZZ A FAVOR DO SOS RACISMO
C/
MARIA VIANA
FRANCO CHIRIFE E JOÃO MALÓ Continuar
Adicionado por Wilbert Sostre em 20 novembro 2009 às 10:42 —
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click to get Orkut Myspace flowers Comments & Graphics
A Música
A música p'ra mim tem seduções de oceano!
Quantas vezes procuro navegar,
Sobre um dorso brumoso, a vela a todo o pano,
Minha pálida estrela a demandar!
O peito saliente, os pulmões distendidos
Como o rijo velame d'um… Continuar
Adicionado por ingrid sidna em 16 novembro 2009 às 16:30 —
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COMPARTILHANDO E NAVEGANDO
ROBERTO ROMANELLI MAIA
ESCRITOR, JORNALISTA E POETA
Sim, querida, quem, como nós, descobriu o amor
não pode reclamar...
Mesmo que ele seja imprevisível como as ondas
que não sabem onde vão quebrar...
Mas nada pode detê-lo nem desviá-lo
de onde ele quer aportar...
E ele, como o mar, nos conduz por águas… Continuar
Adicionado por France da Matta em 15 novembro 2009 às 21:30 —
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Em Jazz and Bossa queremos conhecer qual foi a sua música e músicos favoritos no 2009. Por favor clique no link para enviar suas respostas.
Jazz and Bossa wants to know about your favorite music and musicians on 2009. Click on the following link to send us your choices.… Continuar
Anat Cohen
An established bandleader and prolific composer, idiomatically conversant
with modern and traditional jazz, classical music, Brazilian choro,
Argentine tango, and an expansive timeline of Afro-Cuban styles, Anat
Cohen has established herself as one of the primary voices of her
generation on both the tenor saxophone… Continuar
http://www.lejam.com
FEST BRÉSIL
BOSSA-SAMBA-FUNK-JAZZ-FREVO-FORRO
3 formations sur scène...
Le véritable swing brésilien pour fêter les 30 ans du JAM !
La Musique Populaire Brésilienne naît de la rencontre des traditions, amérindienne, européenne et africaine. Trois civilisations, trois univers sonores… Continuar
Adicionado por Wilbert Sostre em 12 novembro 2009 às 20:55 —
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Fantasy Records salutes the famed pianist, who, despite gold records and global acclaim as a renowned jazz artist, will always be best known for his cheerful, uplifting work with Charlie Brown and the Peanuts gang. Although he passed away at the young age of 47 in 1976, Vince Guaraldi will always live on in… Continuar
Novos albuns: Lisa Ono - Look To The Rainbow ~Jazz standars from L.A.~, Cheek to Cheek ~Jazz standards from RIO~http://www.onolisa.com/english/index.html#topics
ITINERARIO DEL MAYAGUEZ JAZZ FEST
Teatro Yaguez, Mayaguez, Puerto Rico
Viernes, 13 de noviembre de 2009
8:00 PM
Ray Monrouzeau
Negroni's Trio
Sábado, 14 de noviembre de 2009
8:00 PM
Army Jazz Band
Charlie Sepúlveda
Domingo, 15 de noviembre de 2009
Jazz Posteao
Aldemar Valentín
El domingo, 15 de noviembre se le rinde homenaje a Aldemar Valent… Continuar
Adicionado por Wilbert Sostre em 7 novembro 2009 às 11:35 —
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Amigos.
Les comento que se editó “Amanda” el nuevo disco del bajista argentino Roberto Moreno. El compacto cuenta con once temas grabados y masterizados en Casa Frida: www.casafrida.com.ar .Pueden escuchar parte del material en: www.myspace.com/robertolmoreno / www.robertolmoreno.com.ar
Mientras tanto, les envio comentarios del disco
Un abrazo y esperamos… Continuar
Adicionado por Roberto Moreno em 5 novembro 2009 às 9:59 —
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Jazz vocalist Pauline Jean is a native New Yorker of Haitian descent. In 2007 Pauline graduated cum laude from the Berklee College of Music with a BM degree in Vocal Performance. After graduating from Berklee, Pauline returned to New York and immediately became actively involved in the music community. Pauline has been building on the classic art form of jazz by adding her own fresh approach. Her repertoire includes original compositions, unique arrangements of the standards, blues and traditional Afro-Haitian music fused with jazz. Her musical renditions are performed both in English and in her parents’ native tongue kreyòl. Pauline's velvety voice has a range from the low resonance and earthiness of the great Sarah Vaughan to the electrifying voltage of Nina Simone.
Her extraordinary performances have led her to share the stage with a variety of musicians such as Nina Simone’s percussionist Leopoldo Fleming, Randy Weston, Dave Valentin, Ted Curson, Terri Lyne Carrington, Ingrid Jensen, Miriam Sullivan, Luis Perdomo, Alvin Atkinson, Jr., Buyu Ambroise and Emeline Michel.
Pauline has been featured in many venues such as: Lincoln Center, United Nations, Scullers Jazz Club, St. Peter’s Church, Metropolitan Room, Kitano, Chelsea Art Museum, Zinc Bar, Minton's Playhouse, Cachaca, SOB’s, Sage Theater, Enzo’s Jazz Room and the Berklee Performance Center. She has also performed at the 2nd Annual Women in Jazz Festival, the JVC Jazz Festival-New York, the Haitian Jazz Festival and the St. Kitts-Nevis SAS Jazz Reggae Vibes Festival.
Her most recent successes include performing at the 44th International Pori Jazz Festival in Finland and a tribute to Nina Simone at The Cabaret at the Connoisseur Room in Indianapolis, where she was celebrated with standing ovations by an enthusiastic audience for three stellar performances.
Pauline released her debut CD A Musical Offering in June 2009. The album is stirring and best described as swingin’, bluesy and soulful. Musicians on this project include: Sharp Radway (piano), Corcoran Holt (bass), Alvin Atkinson, Jr. (drums), McClenty Hunter (drums), Markus Schwartz (percussion), Marcelo Woloski (percussion), Jean Caze (trumpet) and Thaddeus Hogarth (harmonica).
For more information about Pauline, please visit her website at www.paulinejean.com.
FOR BOOKING INQUIRIES PLEASE EMAIL: pauline@paulinejean.com
An established bandleader and prolific composer, idiomatically conversant with modern and traditional jazz, classical music, Brazilian choro, Argentine tango, and an expansive timeline of Afro-Cuban styles, Anat Cohen has established herself as one of the primary voices of her generation on both the tenor saxophone and clarinet since arriving in New York in 1999.
In September 2008, Anat Cohen released Notes From The Village, her fourth album as a leader. Recorded at Avatar studios in New York City, the album builds on Cohen's acclaimed 2007 releases, captures the thrilling energy of her live shows, and proves her to be an artistically adventurous writer and performer. Notes From The Village finds Anat leading a quartet of some of the most sought-after, engaging young performers in New York, including pianist Jason Lindner, bassist Omer Avital, and drummer Daniel Freedman, with accompaniment from guitarist Gilad Hekselman on three tracks. The album features compositions written by Cohen as well as her interpretations of songs by Fats Waller, John Coltrane, Sam Cooke and Ernesto Lecuona.
“In preparing for the recording,” says Anat “I really wanted to capture the free, risk-taking, open quality this band achieves when performing live. I also wanted to stretch my compositions, and arrangements.” Early responses to the album have been overwhelmingly positive; The New York Times’ Nate Chinen wrote that “Notes From The Village is a resounding confirmation; yes, she is the real deal”, DownBeat Magazine awarded the release four stars, stating that “Cohen makes it seem easy, mixing a gift for melody and an improvisational fluidity that has few peers today.” Anat’s previous outings, Noir and Poetica were released simultaneously in April 2007, inspiring a string of enthusiastic reviews. The Washington Post said that “Cohen has emerged as one of the brightest, most original young instrumentalists in jazz [...] [she] has expanded the vocabulary of jazz with a distinctive accent of her own.” The Village Voice spoke of her “Enviable insouciance” and how “she alludes to the mystical in a merry way,” and Downbeat magazine expressed the opinion that “Noir could be a classic” and “[Cohen’s] stately intonation and unforced elegance on clarinet could take her to the top.”
Anat has performed for audiences in New York’s Village Vanguard, Jazz Standard, Iridium, The Jazz Gallery, and the JVC Jazz Festival. She has also appeared at the Chicago Jazz Festival, Washington DC’s Kennedy Center, San Francisco’s Yoshi's, Boston’s Regattabar, the North Sea Jazz Festival, the Monterey Jazz Festival, and the Montreal Jazz Festival. Anat’s July 2007 engagement at the Village Vanguard in New York was a historic one; Anat is the first female reed player, and the first Israeli to headline at the club. Ms. Cohen’s accomplishments have been recognized in a flurry of awards and distinctions from critics and fans alike; She topped the Rising Star- Clarinet category in DownBeat Magazine’s critics poll in both 2007 and 2008, and placed prominently in a total of four categories including Rising Star Jazz Artist - where she ranked second and was the only female artist to make the list. Anat was also mentioned on DownBeat’s readers poll in 2007 and 2008. The Jazz Journalists Association named Anat Cohen Clarinetist of the Year by in both 2007 and 2008 – the first time in the history of the awards that an artist has earned top clarinet honors two years running. Noir and Poetica both appeared on many year-end best-of summary lists, including those of Paste magazine, The New York Sun, Slate, JazzTimes and others.
Born in Tel Aviv, Israel, Anat grew up with musical siblings; her older brother Yuval is himself a saxophonist of note, and her younger brother, Avishai, is one of New York’s busiest trumpeters. She began clarinet studies at age 12 and played jazz on clarinet for the first time in the Jaffa Conservatory’s Dixieland band. At 16, she joined the school’s big band and learned to play the tenor saxophone. The same year, Anat entered the prestigious “Thelma Yelin” High School for the Arts, where she majored in jazz. After graduation, she discharged her mandatory Israeli military service duty from 1993-95, playing tenor saxophone in the Israeli Air Force band. In 1996, Anat matriculated at Berklee College of Music in Boston. There she met faculty member Phil Wilson, who encouraged her to play clarinet, and other inspiring teachers such as Greg Hopkins, Ed Tomassi, Hal Crook, George Garzone, and Bill Pierce, and an elite international peer group of students.
During her Berklee years, Anat visited New York during breaks between semesters, making a beeline for Smalls to soak up the hybrid of grooves, world music and mainstream jazz that people like Jason Lindner and Omer Avital were then evolving. Back in Boston, she played tenor saxophone in a variety of musical contexts with various bands including Afro-Cuban, Argentinean, klezmer, contemporary Brazilian music and classical Brazilian choro. Anat also began her association with Sherrie Maricle’s top-shelf allwoman big band Diva Jazz Orchestra, which continued into the new millennium.
Once ensconced in New York, Anat quickly found work in various Brazilian ensembles like the Choro Ensemble and Duduka Da Fonseca’s Samba Jazz Quintet, and started performing with David Ostwald’s “Gully Low Jazz Band,” which explores the music of Louis Armstrong, Bix Beiderbecke, Jelly Roll Morton, Sidney Bechet and their Pan-American contemporaries. Anat documented her bona fides on her debut CD, Place and Time, one of All About Jazz-New York’s “Best Debut Albums of 2005.” On the liner notes for Notes From the Village, Ira Gitler writes “She is formidable. Long may she continue to enrich the music in myriad ways.” There is every indication that her star will continue to rise for a long time to come.